Album: Rage Rock

SFL1108_59 InMyHead.mp3

Laid back rock rhythms with distorted funky guitar and synth highlights. 17 seconds of synth introduction followed by guitar and bass riff. Guitars enter full out with sustained chords at :29.

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SFL1108_60 Expendable.mp3

Classical piano lead backed by synth strings, guitar, and rhythms. Stylistic approach similar to Faith No More. Solo piano introduction followed by dark synth theme at :20. Piano outro at 1:35.

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SFL1108_57 StayAway.mp3

Angry, frustrated vocals and instrumentation that put this piece somewhere between contemporary rage rock and techno. This track is a marriage between modern Linkin Park and Nine Inch Nails during the early 1990s. Synth effects setup the laid back guita

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SFL1108_55 SatInACorner.mp3

The standard heavy metal ballad; laid back rhythms, orchestral strings, clean and distorted guitars, and synth highlights. Laid back guitars with strings and acoustic guitar highlights at :39.

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SFL1108_56 Phantomime.mp3

Prototypical contemporary heavy metal comprised of thick distortion guitars, feedback, and light synth accents. Heavy guitar themes that let up at :14 and re-enter at :38.

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SFL1108_54 Lohawk.mp3

Heavy, rhythmically styled synth, typical hard rock drums, and distortion guitars. Synth intro and building rhythms followed by pissed off guitars at :25. Tracks transitions to synth break down at :45 and at 1:26.

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SFL1108_53 WakeUp.mp3

Laid back clean guitar intro that turns into thick’n’chunky distortion guitars. This tracks approach to heavy metal is like a meeting between Anthrax of the late 1980s and modern day System of a Down.

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SFL1108_51 GimmyGimmy.mp3

Obnoxious vocals and techno styled distortion guitars, rhythms, and synths. :23 of setup followed by the central guitar and vocal theme.

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SFL1108_52 LaDiDa.mp3

Instrumentation and arrangement reminiscent of late 1990s metal. Stylistically similar to a cross between Pantera and Korn. Main theme at :26 preceded by slower, building introduction.

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